For the first time ever, you can experience these classics from anywhere – at home, on the go, on your mobile, desktop, laptop or Smart TV. The extensive catalogue, which includes full-length performances spanning two decades, features many of the Royal Opera House’s most beloved works: Frederick Ashton’s La Fille mal gardée, Christopher Wheeldon’s The Winter’s Tale, Wagner’s Die Walküre, Mark-Anthony Turnage’s Anna Nicole and Puccini’s Tosca. Both are available in UHD, and come complete with wrap-around material – an opera masterclass, artists in conversation, and a sneak peek at The Royal Ballet’s rehearsals ahead of their world premiere.Īlongside those new titles, Royal Opera House Stream offers an extraordinary collection of 45 curated treasures – perfect for seasoned theatregoers and those new to our art forms, looking to deepen their knowledge. The first selection contains two of last Season’s most celebrated productions: Wayne McGregor’s award-winning The Dante Project, available from launch and Oliver Mears’ five-star Rigoletto, featuring the outstanding Carlos Álvarez and flawless Lisette Oropesa, available from Thursday 20 October 2022. With family favourites and modern masterpieces – heartbreaking arias and passionate pas-de-deux – Royal Opera House Stream offers it all: truly transformative experiences for only £9.99 a month or £99 annually.īrand-new titles will be made available monthly, along with behind-the-scenes content. Join today to watch the world’s greatest performers, emerging talent, leading choreographers and trailblazing creative teams from the comfort of your own home. Just no.Today, the Royal Opera House launches its brand-new streaming service – offering 45 stunning works from The Royal Ballet and The Royal Opera’s rich archives, and over 85 behind-the-scenes features, trailers, talks and Insights. Fair play for making it accessible but No. I haven't seen a traditional performance of Aida yet and it seems an utter shanda to see a modern one first.
I don't identify as an Egyptologist, historian, fashionista, plane buff or archaeologist but that wardrobe and aircraft ain't from a couple of thousand years BCE. I'm reluctant to book to see Aida next month as it looks like they've totally messed about with the historical setting and I'd rather not have the political lecture in opera or a talk before putting me off my stroke. Of course, in current year in the talks they managed to segue in "The Message". Though in the introductory talk they said they had adapted the production they didn't mess with setting or costume too much. There are cheaper tickets for the actual Royal Opera House than the cinema but taking into account travel, accommodation, meals and incidentals going to the Royal Opera House proper would be at least £600.
In fact there were more people on stage (7) than in the auditorium (6). I went to see Madama Butterfly last night which was enjoyable, if a little under-occupied and dear. I've been to the BP/ROH Opera In The Park events in my home city (where BP have operational offices) and they were very enjoyable and relaxed, so I thought I've give the cinema screening a punt even though it's far from a favourite opera. They hay have done so before but this is the first I've heard of it. The Royal Opera House are live streaming their opera productions to cinemas throughout the UK and worldwide from, this Autumn.
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